Collectors, fans, and musicians may find these two works of interest.
I am watching a BBC documentary about earliest human history. The presenter suggests that what allowed European Homo Sapiens to outlive their more robust, better adapted cousins the European Neanderthals was – can you guess? – art and music. Art and music created cultural identity across broader geographic regions and for larger tribes and served to preserve the weaker, smaller brained Homo Sapiens. With this perspective, the importance and influence of the arts for any culture has greater urgency than ever.
Song in America our Musical Heritage by Burl Ives (1962) collects 311 folk songs, arranged by Albert Hague. Even in our modern era the words of folk songs can vary widely from region to region, artist to artist, and decade to decade. It is good to have another reference, especially one so complete.
A Treasury of Stephen Foster (1946) includes historical notes that lend context to Foster’s work, including his use of themes from African slavery and minstrelsy. Cultural theft? A good faith attempt to strike universally recognizable sentimental notes of loss, longing, and fun in spite of it all?
“Foster composed about two hundred songs and a few instrumental pieces… a half dozen rank with the world’s greatest ballads; at least twenty-five of them have become American folksongs and more than fifty are well worthy of preservation.” Collected songs are arranged for piano by Ray Lev and Dorothy Berliner Commins.
If you are interested, please contact us at winecountrybooksnapa at gmail. Best wishes, and happy reading – or in this case, playing and singing.